Sunday, September 9, 2012

Waiting and Working

A few things on the go that I wanted to share. Plus my latest writing revelation. (I think it's a biggie)

My sci-fi script, GAME OF THE GODS, is in the semis of the Nicholl Fellowship. I'm still in shock. They are down to 129 scripts of nearly 7200 entrants. Now they tell me 4 Academy members read my script. And my name goes on a list that gets sent to around 200 agents/producers/managers, etc for becoming a semi-finalist.

My comedy script, 10 INTERVIEWS, is in the semi-finals of the Page Awards. I have no idea how that happened. 

A fantastic manager has contacted me (unsolicited?!) and requested to read GAME OF THE GODS. He didn't say anything about Nicholl, but why else?

I'm waiting to hear back from a producer in Vegas about my script set in Vegas. He seems lovely, and liked my script enough to pass it onto his director to see if there's interest. On his request, I've sent him a new outline based on some comments he made, and thoughts I had. I've basically changed more than half the script. But it will be so much better. I'm grateful to him, even if he passes.

So, yeah. F*ck me. Patience is key.

But I love having a few things on the go. That means I'm not pinning all my hopes on one thing. I think it's important for my moral. I've entered many more contests, and contacted more producers, and had other rejections, but the more I do, and the more I put my scripts out there, the more of a chance I have. Fingers, pies, many.

While my "business side" waits, my writing side is working away. I have the usual long list calling me. First is to get some of my sci-fi concepts in line. Then the rewrite of the Vegas script, and finally, I have a new sci-fi (a space cowgirl flick) that I'm dying to get at.

But I've also been thinking a lot about emotional content. I have come to the conclusion that I haven't been infusing enough emotional content into my scripts. I'm plot driven. So it takes me a lot of drafts to get the emotion into the script. But it's the emotional content that makes someone fall in love with a story and a character. So I've been reading some books on Method Acting. That's right. Because the theory (from what I can tell) about Method Acting, is that you don't play the part, you are the part. That way you aren't acting, you're feeling. It's intuitive. You can't hide from the emotions of the character, because they are your emotions. And this has made me ask myself, when I'm writing, do I simply watch the story unfold, or do I live the story as it's being told? I can put myself in my character's shoes, but it's more of an empathetic stance, than a completely personal stance. And I think there's a world of difference in that. So, while writing my next script I'm going to engage in the exercises a Method Actor does, and find shoes that my character would wear, and literally walk in them. Yup. I'm going to actually wear their shoes while I write. Of course, as a writer writing all the parts, instead of an actor acting one part, that's a lot of shoes. But it might work. Or I might go mad. But I think it's going to be worth a shot! I'm excited. Method Writing. WTFN?