In any case, my speech tomorrow night is about storytelling, and what life lessons it's taught me, so I thought I'd post it, as I've been slack with the posts, and what the hell, I'm a lazy ass and this is already written.
I have been learning how to write
screenplays for a while now, through books, university courses, online courses, seminars, coaches, consultants, managers, agents, website and webinars. For the most part,
from what I can see, there’s a definitive way to tell a good story.
You have a
beginning, something happens, there's trouble, it goes from bad to worse, then completely horribly wrong, there's a
choice, fight back, a crisis, win/lose something (often both), a resolution.
That’s pretty much
how most stories go. Give or take.
But a good story
isn’t just structure. And here’s where storytelling gets interesting. The art
of good storytelling is in engaging the audience. Somehow, they have to connect to the story.
Become emotionally invested.
How does a storyteller do that? I've narrowed it down to three things.
ONE. Characters. You love them, hate them, they make
you laugh or cry. And here’s the catch. The best characters have flaws. They are not perfect. We don’t find
perfect characters interesting or endearing. What we find engaging in
characters are their flaws more than their virtues.
For example:
Captain Jack
Sparrow. He is a bit
nasty, and a drunk. But we love him.
Indiana Jones. He’s a thief. Grave robber. Cocky. And he
can’t hang onto anything he steels.
Batman. He’s out for revenge. He’s emotionally unstable.
TWO. Villains. We love good villains. Really bad, scare
the pants off you, terrifying evil people. Because we love to see them
defeated. The bader the better. The stronger they are, the more we want them
taken down. The harder it seems for the good guy to win, the sweeter their
victory will be.
For Example:
Jaws. That shark is terrifying. Who didn't cheer when that sucker blew up?
Hannibal Lecter. He’s a frickin' nightmare. And a starling has to
take him down.
Darth Vadar. He is not just the baddest ass villain, he's your father. Say no more.
THREE. Relationships. We love to watch how characters relate to each
other in a story. We want them to have someone to share a revelation with. Or a moment of
glory, or the aftermath of victory. Love. Friendships. Rivalry. We can connect
to characters based on the relationships in their lives.
For example:
Obviously the
romantic comedies like Pretty Woman. And buddy movies like Men In Black, or
Butch Cassidy and the Sundance Kid. But take an action movie.
Die Hard. If his wife wasn’t in the building, and we
weren’t already hoping they would get back together, it wouldn’t have mattered
as much if he won.
The Hunger
Games. It’s a sci fi
action adventure. But the thing that kept me hooked through the story is who
will she end up with? And I loved her because of her unconditional love and
sacrifice for her sister.
So, to recap…
1. Being
perfect is over rated.
It’s boring, and no one will find you interesting.
2. Getting
something good is sweeter with sacrifice and hardship. We like to earn our glory. We find it
more satisfying to work for it than to have it handed to us.
3. Ultimately, what
matters the most to us, are the people in our lives. Without someone to share the ups and
downs with, the hardships and the glory, life can be a bit shallow.
Storytelling has taught me to embrace my flaws, welcome my
challenges, and enjoy the
people in my life. These are the key
ingredients to my own good story.
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